From time to time, someone decides to resurrect the same debate about 500 Days of Summer (2009): was Summer the villain, or was Tom simply delusional? The response to that question rarely changes. Summer is perceived as a cold, evasive witch who purposely misleads poor Tom, while Tom is defended as a romantic, perhaps naive, but well-intentioned good guy. The framing of that narrative is quite unsurprising, almost expected, because it provides the natural urge to assign fault cleanly; a way to make sense of a dramatic, romantic split by assigning one person the role of the wrongdoer and the other the role of the one wronged.