Second
Thoughts
A home for personal meditations, critiques of art and literature, politics, sketches, and deconstructions. Experiment with form here, relate with current events, read and talk about a book you’ve never read or perhaps want to read, and criticize something, anything, everything.
Real commitment used to lead to milestones. A marriage, a mortgage, a job, a new city. These were all declarations, not just one-off choices or premeditated decisions. Today, permanence feels less like security and more like risk: to our identity, our autonomy, our finances, even our sense of self—especially as a woman who has been told both to settle and to have it all.
Fair warning, this essay is not nostalgic for compulsory marriage or shrinking yourself to fit into someone else’s script.
It was virtually impossible to avoid Kalshi ads this summer. Kalshi is a prediction market platform launched in 2021 that people use to bet on everything from the weather to military outcomes, though for the past few years, its primary use has been to facilitate sports betting. As Love Island USA returned with a bang, still trying to recreate the magic it found two seasons ago, Kalshi turned its attention to the reality dating show.
Work has become pay-to-play; degrees. Internships. Volunteering. Networking. Freelancing. Personal branding. Newsletters. LinkedIn. Tailored cover letters. The list of preconditions for employment keeps growing while stable employment itself becomes harder to reach. Being employed as an occupation of itself has become inaccessible, the process of finding a job has become more demanding than unemployment itself once was.
Found guilty? We’ve let another attain a position of federal power. Found innocent? Democrats lose all ethical standing to prosecute for the Epstein files. Platner staying in this race, whether he has support from his party or not, sets a precedent that I’m not sure can ever be undone.
The problem with this 2016 brand of optimism is that it is an obfuscation. It directs our attention to shimmering ideals of liberty and away from the very real issues of rising wealth inequality, entrenched racism, environmental devastation, and the obstinate refusal of our leaders to do anything to fix these problems. Instead of interrogating the idiosyncratic American goal of forging a classless society on an economic system reliant on the existence of a labor class, or acknowledging the malignant grip of whiteness on our meritocratic mythologizing, 2016 gave us Hamilton, which laundered the images of the founding fathers, and hipsterism, which presented a more inclusive and quaint brand of whiteness.
When Euphoria ended, I wasn’t only left wondering why every storyline hadn’t been resolved. I was left wondering when the series had become so different from the one that had first drawn audiences in years earlier. Not because its characters grew older — that was obviously forthcoming — but because somewhere between its glitter-soaked dreamscapes and final chapters, the series exchanged one emotional language for another.
So much of our world today feels isolated. Our political movements take place online and are rife with infighting and sometimes even hatred for each other. Every day, it feels like I’m watching the world end from behind a phone screen. Danger Day’s shows joy in the inevitable and resistance against impossible odds. Even when we fail, we have to keep going, to keep caring about each other.
The worst of Bear comes in his interactions with Nikki after he makes the wish. He continues to sleep with Nikki, even though she isn’t herself anymore. As they have sex, the camera focuses on Nikki’s face, devoid of any emotion, staring off at the wall as she goes through the motion of moaning and making sex sounds. The one time Nikki recovers her agency enough to talk to Bear and she begs him just to kill her to free her from the wish. All Bear can say in response is, “What would be so bad? What's so bad about being with me?”
At the height of his fame, Michael Jackson was the most famous man alive. One of the most prolific entertainers of all time, 'Michael Jackson' is as much myth as he is man. Decades after his death, the public remains divided over what exactly that myth represents. So when Lionsgate attempted to bring Jackson's life to the screen, controversy was inevitable.
From the moment we enter high school, college is pushed on us in every assembly, every AP level class, and every extracurricular activity. Undertaking a Bachelor’s degree becomes an assumed inevitability rather than an academic or career step. For many, it becomes a delay; by staying in academia, they aren’t forced to enter the job market. The college preparation obsession in American high schools has led many students onto degrees without a proper assessment of their options post-high school. “Among recent high school graduates, fewer than half said their school prepared them for any option other than college or a job.” I was fortunate enough to know what I wanted to study by my senior year of high school but many high school students apply and commit to colleges without a clear vision. While I believe college can be beneficial in allowing students to engage with a wide-range of subjects, it’s a hefty price tag for a self-discovery retreat.
Expanded internet access and the ubiquity of smartphones have turned us into a society of glancers and scrollers; the potential to get ahead on messages or promote our work or enrich our knowledge buzzes frantically from our pockets at all hours. With such effortless access to so dazzling a breadth of resources, the compulsion to partake is consuming. Not picking up the phone means squandering an opportunity for self-improvement.
Charlie’s perspective is similar to Borgli’s as a Norwegian born filmmaker. There’s a distance in this film between the truth of gun violence and the story that’s being told, and that distance does the film a disservice. The nuance and discussion about gun violence has all the subtlety of a child lifting up rocks in the garden to gawk at the squirming bugs underneath. That is to say, Borgoli is using this twist just as a way to say, wow, isn’t this crazy?
In the 21st century, loneliness is no longer defined by physical isolation, but by a constant proximity to others that never quite becomes connection. Young adults are increasingly raised in environments where social life is mediated through screens, where ‘connection’ is abundant but rarely reciprocal. The result is not just isolation, but a distortion of what it means to be valued. Emerging online figures like Clavicular are less anomalies than early indicators of what prolonged digital isolation can produce.
The 2000s ushered in a progressive discussion on gender and sexual orientation and has since challenged social signifiers of what it means to be a man. It has thrown confusion into a vat of insecurity for those whose identity rests in material, surface level traits. In an effort to combat this, conservatives have reclaimed antique signifiers to masculinity; manliness has been pushed to the extreme. Any hint of emotionalism, the acceptance of women as equals, or physical weakness is considered a betrayal to the inherently ‘masculine.’
We live in an age of information abundance. Open any social media, any news (I use that term liberally) website, any Google search, and you’ll notice the overwhelm of informational noise. With so much distraction, it’s vital that our students learn to discern between trustworthy and untrustworthy sources and to reflect on how bias and motive can influence the information they consume. Without getting into specifics, we’ve seen the faltering of this skill taken to extremes in recent years—people falling victim to disinformation without considering the incentives or motivations behind their consumption.
I am a strong advocate for the analog. I think music sounds better when on vinyl, pictures taken with my second-hand film camera are more charming, and my Omni-84 is a beast of an analog synth. What links these things together? The tactile, physicality of them all. Studying writing through my undergrad and my Master's left me with stacks of physical literature lining my shelves, but like many, I seldom open them. How tasteless! I can hear that one professor I had for Gothic Lit (who always pronounced French words heinously wrong) yelp—What a waste!
The essay I was working on was inspired by N+1’s really excellent polemic editorial titled, “Large Language Muddle.” Part cultural commentary and part call to arms, the editorial rails against the creep of generative AI in society and posits an alternative approach straight out of the Luddites’ playbook. It was empowering. I was so ready to write my own screed against generative AI; I’d argue that it was the natural progression of the focus-group forged and hyper-managed style of communication so many of us find ourselves confined to upon entering the professional sphere. I’d deride the hellscape that is LinkedIn and the strange pseudo-human, algorithm-serving language it requires us to use.
There is something that I hold so dearly about the version of America that I can find in Springsteen's music. A world of working class struggle, an acknowledgment of the pain and suffering inflicted on the men and women of this country, but a celebration of it nonetheless. A real, true love for America and the people who put the hard work into making it run. It’s something I feel the need to protect and to guard from those who want to destroy the very thing his music holds dear.
Inside a community center at Allentown, Pennsylvania, the Working Families Party (WFP) organized a watch party for the Super Bowl half time show for groups of migrant families—only one of many around the country. The air was heavy with anxieties of a possible ICE raid as people huddled around one screen to watch a great American artist perform. This is not an excerpt from Orwell’s 1984, or a 21st century fiction retelling of World War II. This was two weeks ago in the U.S.
While the list of dangerously polluted waterways in the U.S. is extensive, few have captured the American imagination quite like Brooklyn’s Gowanus Canal. Sometimes frothy, sometimes covered in a nacreous scrim that one imagines peeling off like skin over scalded milk, the 1.8 mile canal’s infamous water is a wellspring of dark humor and incredulous facts.
Last summer, I finally made the drive up from Philadelphia to Centralia. Reddit posts warn that little draw remains. Gone are the pits spewing white smoke that Bill Bryson described in A Walk in the Woods while commenting that Centralia is “the strangest, saddest town I believe I have ever seen.” The stretch of Route 61, cordoned off due to the fires and transformed by taggers into a shifting canvas affectionately named "Graffiti Highway,” was buried in 2020.
In a touching video essay, the two not only discussed the profound impact they have had on each other's lives but also the struggles that had accompanied the years of keeping their relationship private. This was a step forward for them–after many years, they were shedding the burden of secrecy while still maintaining a level of privacy, highlighting their complex relationship with parasociality.
Netflix paved the way, inviting viewers to view films on demand and in innumerable amounts, from the comfort of their own homes. It was no longer necessary to buy tickets, organize plans, and make the drive to your local cinema. Just sit on the couch, sift through options, pick one, and turn it off if you don’t enjoy. That last bit was the killer.
The recent talk of a reboot has brought the premise back into conversation, and with it, the cultural promise the film once rested on — that adulthood meant stepping into a world of possibility. Back then, the plotline read as charmingly impatient rather than anomalous, because adulthood was still imagined as a phase of life when things settled into place: independence, confidence, an apartment with matching furniture, a career that paid the bills, and a love that had finally sorted itself out. But now, that assumption feels a bit out of touch.
He’s scruffy-haired, 5’7”, dresses in the clothes my grandfather used to wear, and seems to forever breathe through a harmonica. His name is Jesse Welles, a 32-year-old folk-singer, songwriter, and poet whose backwater presentation is rooted in his working-class, Ozark, Arkansas upbringing. He has been hailed by many as the Bob Dylan of the new generation. I believe he’s the reincarnation.
One Black eighth grader was in the middle of pleading against her school's potential closure when Allyson Friedmans’ voice, unmuted on the call, boomed through. “They’re too dumb to know they’re in a bad school,” said Friedman, an associate professor of biological sciences at CUNY Hunter College, where 11.5% of the undergraduate students are Black. “I mean, apparently Martin Luther King said it, like if you train a Black person well enough, they'll know to use the back, you don't have to tell them anymore."
For many, myself included, the show feels like it saved our 2025. The show is first and foremost a romance, documenting the nearly ten-year love affair between pro hockey stars Shane Hollander and Illya Rozanov. The two main characters struggle to keep their attraction to each other a secret from the world and from each other. For hockey fans like myself, the commentary about the current state of the NHL is glaringly obvious: as of 2026, there has never been an openly queer NHL player, active or retired.
Upon Trump’s re-election, Hamilton’s “You’ll Be Back” has resurfaced in online political discourse, often repurposed, with many reminiscent parallels to an America defined by its instability and cultural divisions. In some cases, particularly in British commentary, the song is used to frame the United States as returning to a kind of historical pattern – echoing the language of colonial dependence and political disorder that once defined the relationship between Britain and its former colonies.
Published in November 2024, American Bulk: Essays on Excess includes essays on American consumerism. Hinging on different connotations of excess and consumerism, and digging into her personal and familial dynamics, habits, and experiences, Emily Mester covers an impressive amount of ground in American Bulk.
After its debut season, Netflix quickly announced it would be renewing the show, prompting the question, what is it about this show that deserves another season? Age of Attraction wants to claim that it’s a progressive experiment, testing to see if age is just a number while simultaneously empowering people to date outside of the rigid boxes of what society says is appropriate.
There’s a particular history lesson from school that has stuck in my mind. Imagine a 1930s Germany, still reeling from its losses during the first World War. Then imagine a political party, led by a radical politician that finally breaks through the family radio. He promises redemption for your failing country, massive economic and political gains. Finally, someone to enact real change, someone “finally able to finally do something active and bold to rehabilitate [your] shabby life.” All he needs is your vote.
The year is 2014. I’m 16 and my dream is to be a foreign correspondent for Vice Media. I romanticize the aesthetics of Occupy Wall Street and the Vietnam War protest movement, and my bedroom walls are plastered with photos snipped from a Time Magazine special on the Arab Spring. I procrastinate my math homework, instead pouring over features detailing strife in faraway places recounted by journalists who work at liberal legacy publications.
From time to time, someone decides to resurrect the same debate about 500 Days of Summer (2009): was Summer the villain, or was Tom simply delusional? The response to that question rarely changes. Summer is perceived as a cold, evasive witch who purposely misleads poor Tom, while Tom is defended as a romantic, perhaps naive, but well-intentioned good guy. The framing of that narrative is quite unsurprising, almost expected, because it provides the natural urge to assign fault cleanly; a way to make sense of a dramatic, romantic split by assigning one person the role of the wrongdoer and the other the role of the one wronged.
Basically, until there’s a mass recognition of the failed US wage market, there is no chance for reform. Until the hustle culture of American business is recognized for its abuses rather than its procurement of some mythical American Dream, wages will continue to stagnate as prices continue to rise…Last Place Aversion is experienced by those who have, or feel they have, no control over the system that's trapped them. And until a political movement shows promise for a full economic restructure, the American working class will continue as the ball in this economic tennis match.
It never feels like Marty is in true danger. There is always the impression that he’ll work his way out of the corner he is backed into, and in the end, that’s exactly what happens. The emotional beats of the story fall short without any real tension. Marty makes one stupid, egotistical decision after another, realizes he’s in a bad situation, then gets up and gets himself out of it. Over and over again.
Gravity’s Rainbow is about a lot of things. It explores paranoia and conspiracy, culpability and morality. And all of this is set against the backdrop of Europe before, during, and directly after World War II. It’s dense and disturbing and devastating and somehow hilarious. It’s also all about plastic and how evil it is.
© 2026 The Vagabond’s Verse


It was virtually impossible to avoid Kalshi ads this summer. Kalshi is a prediction market platform launched in 2021 that people use to bet on everything from the weather to military outcomes, though for the past few years, its primary use has been to facilitate sports betting. As Love Island USA returned with a bang, still trying to recreate the magic it found two seasons ago, Kalshi turned its attention to the reality dating show.